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- Archive 2019
- 2015 Elections: 11 new BME MP’s make history
- 70th Anniversary of the Partition of India
- Black Church Manifesto Questionnaire
- Brett Bailey: Exhibit B
- Briefing Paper: Ethnic Minorities in Politics and Public Life
- Civil Rights Leader Ratna Lachman dies
- ELLE Magazine: Young, Gifted, and Black
- External Jobs
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- Gary Younge Book Sale
- George Osborne's budget increases racial disadvantage
- Goldsmiths Students' Union External Trustee
- International Commissioners condemn the appalling murder of Tyre Nichols
- Iqbal Wahhab OBE empowers Togo prisoners
- Job Vacancy: Head of Campaigns and Communications
- Media and Public Relations Officer for Jean Lambert MEP (full-time)
- Number 10 statement - race disparity unit
- Pathway to Success 2022
- Please donate £10 or more
- Rashan Charles had no Illegal Drugs
- Serena Williams: Black women should demand equal pay
- Thank you for your donation
- The Colour of Power 2021
- The Power of Poetry
- The UK election voter registration countdown begins now
- Volunteering roles at Community Alliance Lewisham (CAL)
Remembering: Soprano Shirley Verrett
Shirley Verrett, Soprano opera singer and recitalist, well known during the 1960s and 1970s sadly died last Friday, aged 79..
A great recording artist appearing of stage and film she was lauded by international audiences and the media.
Shirley Verrett was born in the racially segregated deep-south, New Orleans, Louisiana, on May 31 1931, one of six children. She started her musical career at the age of five when she sang her first solo – Jesus Loves Me – in church.
She rebelled against religious labels and on a tour of the South, in 1960, she refused to sing to segregated audiences.
Among her performances were Bolshoi in Moscow in 1963; City Opera New York in 1964; La Scala Milan in 1966 and Carmen at the Met in 1968.
Her European debut was singing Carmen at Spoleto, in Italy. She prerormed in Verdi's Requiem at the Royal Festival Hall in 1965, and Covent Garden in Verdi's Un Ballo in Maschero. As Gluck's Orfeo at the Royal Opera in 1972 and held a recital at the Festival Hall in the 1980s.
She was subject to racist comments from critics who disapproved of her short, Afro-style hair in Aida In the 1980s.