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- Archive 2019
- 2015 Elections: 11 new BME MP’s make history
- 70th Anniversary of the Partition of India
- Black Church Manifesto Questionnaire
- Brett Bailey: Exhibit B
- Briefing Paper: Ethnic Minorities in Politics and Public Life
- Civil Rights Leader Ratna Lachman dies
- ELLE Magazine: Young, Gifted, and Black
- External Jobs
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- Gary Younge Book Sale
- George Osborne's budget increases racial disadvantage
- Goldsmiths Students' Union External Trustee
- International Commissioners condemn the appalling murder of Tyre Nichols
- Iqbal Wahhab OBE empowers Togo prisoners
- Job Vacancy: Head of Campaigns and Communications
- Media and Public Relations Officer for Jean Lambert MEP (full-time)
- Number 10 statement - race disparity unit
- Pathway to Success 2022
- Please donate £10 or more
- Rashan Charles had no Illegal Drugs
- Serena Williams: Black women should demand equal pay
- Thank you for your donation
- The Colour of Power 2021
- The Power of Poetry
- The UK election voter registration countdown begins now
- Volunteering roles at Community Alliance Lewisham (CAL)
British Museum: Does it perpetuate white superiority?
My good friend Dr Nathaniel Adam Tobias Coleman sent a me a note regarding a Radio 4 documentary about the British Museum. It’s a fascinating programme, one that raises many questions about what exactly is the Museum for ? Why for example, if it is world Museum are there no artefacts from Oceania or very few from the Americas ? And why is Africa in the basement, or worse still as many of us now not even on display at all. Below is the blurb promoting the programme:
Simon Woolley
When it was founded in the 18th century from the collections of Sir Hans Sloane, the British Museum aspired to being not just a national museum, but a world collection, accessible to a global audience.
The recent, outgoing director Neil MacGregor gave fresh life to this idea - the British Museum as a museum of the world for the world. But does this definition hold true?
Artist Antony Gormley, a former British Museum trustee, is on a quest to right what he sees as a centuries-old wrong. While the history of the classical Old World cultures are given centre stage in the museum's hallowed halls, those of the numerous rich and complex cultures of Africa, Oceania and the Americas are barely visible. Although cared for by the museum's curators, much of the time they are packed away in boxes.
And yet, the collections of historical objects from these continents are among the best in the world - from the monumental to the domestic, from lavish feather costumes to fragile woven skirts. They tell the stories of the unlikely settlement of the far-flung islands of Micronesia, Captain Cook's ill-fated Pacific voyages and the oppression of the colonised by the colonisers.
Antony Gormley challenges the museum's new director Hartwig Fischer to restore these neglected cultures to their rightful place in human history. He talks to Lissant Bolton the Keeper who spends much of her time in the Oceanic store rooms. Can these objects and the stories they tell, help today's diverse cultures overcome their deep divisions and find a common humanity?